colourliving

the sketchbook project

You know i like a story. Let me tell you this one.

About a year ago, my friend carole told me about a sketchbook project originated in the states. ‘You sign up, they send you a sketchbook and you submit it for everyone to see’ she stated. What? How? When? ‘I’ll send you a link to their website’ she said. ‘I think you should enter, it’s your kind of thing’!

True to her word, carole sent me the link and i probably took a look for a few minutes before getting distracted with something else!  This was in september 2011. A few days ago i was trying to file away some emails and get rid of some others when i stumbled upon that very same one. Ah, i remembered thinking, i never really got to grips with it! Let’s take another look. What i did see immediately was that under  their yearly road shows around the states, they had listed london. To my utter surprise they were exhibiting in the canada water library from the 12th-19th october 2012. People, i read this on the 17th october. Serendipity, or what? I managed to go on the last day at near closing time:) Phew!

Meet steven.

Brooklyn-based, steven co-founded the sketchbook project, a constant evolving library of handmade artist’s books, in 2006 with around 500 entries from artists. He told me that in 2011, it attracted 28.000 entries from across the globe. Wow! The project encourages artists and non-artists from diverse backgrounds to share their process with each other and the public. Participants sign up online to receive a blank sketchbook, fill the book with work in any form and mail it back to brooklyn. The results are catalogued and archived in a publicly accessible storefront library and exhibited on tour in cities and towns across the states and now further afield, ie london. Since 2007, steven and his small team have interacted with more than 70.000 artists and received submissions from more than 120 countries on six continents.

Having toured america, they ended this year with the london exhibition and i was very excited to have had the chance to see it. They brought around 1600 handmade artists’ books from across europe.

So, what happened at the library? Well, i had my little introductory tour by the lovely jessica.

Basically you created a library card for yourself and then decided how to search for a sketchbook.

Here is a list of the 2012 themes each artist chose. For 2013 the themes change.

Once you chose your sketchbooks you simply waited for them to be handed to you, which literally took a minute or two.

Let’s look at some pages from one of the sketchbooks with the title: in 50 years.

Once you were done, you simply repeated the process. I hope you like some of the work i photographed for you!

Then i met a german lady called petra, who actually submitted a sketchbook in 2012. She works for the european weather centre in reading and told me this was the very first sketchbook she ever tackled. It’s so encouraging to see that not only artists sign up. What a great first attempt!

Now, the question remained: do i sign up to submit a sketchbook? Can you guess the answer? Of course i did and was even able to walk away with my sketchbook, instead of having it sent to me. Additionally, i can later on choose to have a digital version. The digital library is the online companion to the brooklyn art library. They’ll professionally photograph my book with their trusty digitizer and add it to the library for me to share with people from anywhere around the world. Crazy, no? I better wait to see what i come up with first before i take that decision:)

Here’s the good news. Deadline to sign up for 2013 ends 31st october 2012. Yep! You can all still join in if you want to. The cost to participate is $25. I have until 15th january 2013 to fill the sketchbook and return it for inclusion in a travelling exhibition and permanent collection at the brooklyn art library. Anyone care to join me in this? You will find the themes to choose from here.

When I asked steven and his team whether they’ll return next year he said that coming to london was an experiment. It was entirely self-funded and they would need to have sponsorship to do it again. They were due to exhibit in australia, but unfortunately things didn’t work out. Can anyone think of who might be interested in sponsoring next year’s travelling exhibition in london? If you have any ideas, do let me know.

So, what do you think? Isn’t this a great project? How do you feel about creating a sketchbook and having it permanently housed in a library?

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vive la differénce – babette’s feast

I am very excited to announce a new monthly series; vive la differénce!

Some of you might remember a post i did with holly where we designed a modern abode for tweety pie, our ficticious client:). It was just a bit of fun but an idea was born. I’d been thinking for ages how to incorporate guest blogging onto my site, so all that was needed was to work out the details.

Let me introduce the concept: each month i will invite one blogger. They will create and showcase one image. There are 20 themes and 20 objects my guest can choose from. They choose 1 theme and up to 3 objects. I will then also create an image based on their choice. Everyone has free reign on how to create the image. It can be simple photography, a line drawing, a collage, a hand painted image, a styled table top, the choice is yours! The fun part is that you guys will see 2 versions inspired by the same subject matter. My guests image will always be first. There is no right or wrong. There’s just ‘different’.

For this first one i’m really happy to introduce sue from a nomadic abode. In fact, let sue introduce herself:

Hi, i’m sue & i author a nomadic abode… as the name suggests, i’m a bit of a free spirit with a wandering heart & a heck of a lot of experience setting up home from scratch… i’m so happy to at long last be carving out my own little niche in this crazy big world of design… & wherever this journey takes me, i promise to bring both spirit & soul in abundance…

After showing sue the list of themes and objects she chose: babette’s feast together with flowers, fabric and jewellery.

Here are the results.

babette’s feast: decadence & beauty intertwined…
old world lace & simple linens combine to create a sumptuous backdrop to a feast of fruits & flora interspersed amongst jewel-adorned table tops… trinket boxes overspill with edible offerings whilst an intoxicating blend of hydrangea, peonies, roses, gelda & berries conspire to delight…

babette’s feast: a modern version…
flowers made of fabric, austerity tamed decadence….playful, inexpensive jewellery…a caraffe with water and mint…colourful teaware replaces silverware….bread and prawns….intertwining curly parsley with ribbons..

I hope you like this new series and i’d like to invite you guys to let me know if you’re up to the challenge:) here’s what sue wrote to me when submitting her fabulous image: “wow, that was a marathon! who knew there could be so much involved… i’ve had a blast though, and here are the fruits of my labour…”

Fruits of labour, indeed!! Thank you so much sue for giving your time and inspiring my readers and for challenging me:)

Now, of course, i would like all of you to jump at this. I would particularly like one of my male readers to accept this challenge. Well, let’s see. Please let me know in the comments if you fancy a go at this! I look forward to seeing you back on monday. I have 2 really special posts about my trip to germany. Thank you for all the lovely wishes and fantastic comments last week. x

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vive la differénce – tweety’s modern abode

A couple of weeks ago I was having a conversation with my friend holly from hvhinteriors. The premises of the discussion was our very apparent differences in our style and taste when it comes to interiors. Holly likes the more minimal, the more masculine and rather monochrome, with a little wood and concrete thrown in. I, on the other hand, am all about colour, bold patterns and funky and quirky designs. Quite different, would you agree?

As we were chatting away and laughing about all of this, holly re-assured me that the new project she was about to unveil would be more my cup of tea. Yep, she was right! Holly has just launched her new project: the design chef, recipes for delicious interiors. Actually the interiors are rather delicious and as each one is inspired by food i now see plenty of colour and am happy:)

With all this talk about taste differences I pondered: what kind of results would we obtain if each of us worked on the same ‘space’ simultaneously but separately? What kind of differences or similarities might be revealed? Further discussions were held and this post was born!

So, what kind of ‘space’, who for? Do we choose a fictitious client? Male or female? One look around my office space and the victim was located.

Meet tweety pie in his very own egg chair.

Can you think of a better fictitious client? I certainly can’t.

We felt that tweety pie, who clearly has such delectable taste, was ready for a modern abode to roam around freely. Yes?

So, in the spirit of this post, we leave it up to you to guess who designed what….. hmmmm, tricky, n’est pas? Really?! Oh, and by the way, there’s no right or wrong, there’s just ‘different’.

Vive la différence!

And here is something for the tweety pie fans amongst us. Enjoy! Happy weekend. See you next week!

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john cash and urban sketching

A few weeks ago i somehow stumbled across a short course in urban sketching, offered by the london metropolitan university as part of their interior design course. Eternally trying to improve any sort of sketching skills, i was excited to try my hand at location sketching. This was definitely a challenge for me. The short course consisted of 4 x 3 hour sessions. The first was studio based and introduced techniques, media and processes……the other 3 consisted of location trips (tate modern, the british library and the british museum) where what was learnt in studio could be applied and developed.

I will show you my sketches a bit further down but first let me introduce you to my fab teacher john cash. He has this wonderful way of explaining, making you feel at ease and encouraging you to try and work through any difficulties. I attribute my results and my new found confidence in location sketching to his brilliant teaching skills. You guys know me by now, right? Of course, i asked john for an interview and secretly hope i can get some of us together for some private tuition with john. More of that later. Meet john

John, please tell us a little about your background and your teaching methods: my own academic background is very much based within fine art and Ii completed my ma back in 1997 at goldsmiths before being represented by ‘the agency’ gallery for a few years, participating in both solo and group shows with a mix video and large-scale drawing work. Currently I divide my time between my academic commitments as a visiting lecturer, teaching at both london metropolitan university and central saint martins college of art & design and also working out of a home-based studio developing my personal interests in painting. I have been teaching now for about 14 years and still find it a very enriching experience. The philosophy that underpins much of my approach to pedagogy is centred around ideas of ‘collaborative learning’ and ‘teaching for democracy’ in which the learning environment is treated as an empowered space where knowledge and experience can be shared and diversity embraced. We all have our own fears and anxieties when it comes to learning, with the psychological and emotive associations that this brings, and I firmly believe that when it comes to being creative (which often involves a willingness to try new things and take risks) this can only be achieved when we are in environments that aspire to be open, nurturing and inclusive. This is what I hope to facilitate whenever I approach the classroom.

Apart from the urban sketching short course, what other courses do you teach? Over the years i have taught on a variety of different courses within the visual arts. My current posts involve a ‘sketching life and environment’ 12 week taught module on the interior design & technology ba at london met as well as working across the academic year on the newly formed year 0 which acts as a diagnostic experience for new students who then progress onto specialised degree courses within art, media and design. Finally, I also teach at central saint martins and work on a month long summer course for international students introducing them to workshops and projects within the context of graphic design and illustration.

Are the short courses long enough for people to pick up the basics? You might be in a stronger position to answer that question tina having just successfully completed it? I would hope that within the 4 taught sessions of the ‘urban sketching’ course that students come away having been introduced to new drawing media, applications and techniques and develop a better understanding of how to sketch live spaces with more confidence and energy (using linear perspective). One of the great joys i personally find when drawing is that it tends to connect me more rigorously to the things I see around me and provides one of the most immediate forms of expression for both artists and designers. I think there is a slight danger with the advance of new technologies that we are tending to ‘tune-out’ of direct experience  (with our immersion in virtual spaces and accumulation of gadgetry) and so for me drawing is one way of re-engaging physically and emotionally with the world. I think its something that was reinforced during the short course location trips…………that effective drawing isn’t just about having practical skills to hand but also requires you to look with greater clarity and pay closer attention to what you see and feel.

A lot of people shy away from drawing. Do you have to be really good to join one of your classes? The ‘urban sketching’ short course welcomes participants from a range of different backgrounds and levels of experience. This year on the course we had first year ba students studying interior design to more mature students like yourself who work professionally within a related industry. So it was a good mix of ages and experience that allowed each of you to share in your existing knowledge and build on the skills of others, which is always lovely to observe as a teacher.  What I would say is, because of the current length of the course, it obviously helps if you come with some prior ability and experience, even if very limited, as this allows you to get the most from each location visit (which is 3 hours in duration). What was rewarding for me to observe through the course was how each of you improved and developed in your sketching process in such a short space of time – whether it was in relation to understanding perspective and how to integrate it as a way of measuring space all the way through to being more assured and informed in using various drawing media as a way to build tonal contrasts and effectively convey light and mood (will you tell them about the battery operated rubber or shall I?). I think there was general feedback amongst the group that you really enjoyed the classes but would like to have seen them extended and this is something I will certainly look at when we advertise it in future.

Yes, my favourite new toy, a battery operated eraser, introduced to me by john and bought from cass art for £2.50

What aspects of teaching do you enjoy most? I enjoy the social aspect and sense of community that comes through teaching, in that it brings people together from different backgrounds that are united by a shared passion and curiosity around a subject. To have an active role in shaping and facilitating that sense of inquiry is both exciting and challenging.

Are your courses made public or just modules for university students? The ‘urban sketching’ short course is made available to individuals from all walks of life and you do not have to be studying at london metropolitan university in order to apply. Short course programmes can be viewed via the main page at and accessed through ‘course finder’. Thanks for giving me the time to talk about my teaching experience and the short course that you attended tina. I am pleased you enjoyed it and look forward to seeing your finished drawings on your blog soon.

Ok, eek, here they are. I’ve shown my art before so why do i still get nervous? The first 2 drawings were studio based and copied from photographs we were given.

Next, we went to tate modern and the next 2 sketches were done there with a little bit of rendering back at home. 3 hours isn’t very long so it was important to get the basic perspective and all components in.

The following 2 sketches were done in the british library, again with rendering at home.

This last sketch came from the visit to the british museum. We were asked to use yellow as a background colour.

Now you’re in for a treat! Here are some more accomplished pieces supplied by john. The sketches that follow come from a 12 week module for 1st year students entitled ‘sketching life and environment’. This module was much more intense and covered in-depth studio workshop sessions where a broader range of drawing media could be tested and explored. Some of the drawings from the sketchbooks are also based on photographs students took direct from location sites which they have then responded to independently at home.

John has also supplied 2 very strong final location projects as part of the ‘sketching life and environment’ module. The bigger drawings are A3 size. Students had to select a specific location and revisit it and produce four A5 drawings as prep for a final A3.

I don’t know about you, but i’m even more fired up to learn how to sketch on location, especially seeing these wonderful drawings on the longer module course. It totally inspired me to see so many different styles and am always reminded that less is more, something i struggle with.

Here is my fantasy. I wonder whether we could get enough london bloggers to form a small group and get john to teach us privately? The ultimate would be a city urban sketching weekend. How cool would that be? Alternatively, check out john’s current courses and treat yourself to a new way of ‘seeing’.

John, thank you for giving me new found methods and tools, being patient with me when i kept misjudging the eye level:) and for agreeing to this interview. Thank you so much also for the images you provided of your student’s work. I hope to continue sketching on location and being taught by you again real soon.

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the making of the ‘colourliving’ website

When i first played with the idea for the website, i knew i did not want to have photography of interior settings. I wanted something that reflected my curious, slightly eccentric and playful personality.

Having always been a fan of Slinkachu little people street art and miniatures in general, the plan was hatched. Now what to do and, more importantly, how to do it? I looked around for some sort of figures or figurines i could use, inspired by the work of sloane tanen. I quickly realised i was taking on too much so scrapped that idea and decided against figures.

I started researching online and lo and behold i came across the world of dolls houses and miniatures. Go figure, it’s a whole world in itself. My first stop was at a dolls house exhibition in alexandra palace. As luck wanted it and following my very astute nose, i came across a young woman who seemed rather out of place there as the average age was 50+. She had her own little stand amongst her mothers’ chris much larger stand. There was something about her and i hovered around for a while before approaching hannah. ‘Hi, i’m not really here to buy dolls house miniatures or anything of the sorts, i’m thinking of creating some miniature scenes to photograph for my upcoming website, i uttered.’ ‘Err, i haven’t worked anything out yet, but just wanted to get an idea of what is around and your stuff is really beautiful.’ Hannah’s work was different. It was smart and had panache. I’m sure both hannah and chris thought i was bonkers but they entertained my eccentricity.

Hannah and chris told me they were next exhibiting at the kensington dollshouse festival in london and so i went with a little more of an idea what i was looking for. There’s a summer and winter festival and the next one is actually in a couple of weeks. I couldn’t believe my eyes. The place is a haven for anyone interested in high quality miniatures and, oh, be prepared to part with some serious cash. So, there i was, a sort of shopping list in hand, ready to go wild for a couple of hours amongst some serious dolls houses collectors and connoisseurs. I bought some stuff, but most of the props i wanted for the photography i commissioned from hannah, who works in the product design department of the university of bristol. A huge thank you to hannah, whose input in the brainstorming of the ideas was invaluable.

The website was a labour of love for me and although i absolutely missed the point of shooting miniatures (it doesn’t show, hence why i wrote this post) i still feel it reflects the essence of what i tried to achieve. I hope you enjoy the visual diary……….

First off was the concept for the website.

Then came the sketches for the individual miniature scenes.

Now, I needed a lot of props. Some would be items I needed to commission, some would serve as a background. Let’s start with those. I was lucky that i had bought moma’s modern playhouse in magma a few weeks before. Somehow i knew, one day, it would come in use.

Next are some of my own artworks that i used as backgrounds props.

Here are some props i found online.

The details on the iphone and macbook are incredible, right?

The eames lounge chair and footstool and salvador dali’s lip shaped sofa are from the kensington dollshouse festival. Did you spot the cute hat stand?

The next lot is some of the stuff i commissioned hannah to make exclusively for the website. Isn’t she super talented?

Finally, here is a selection of the photographs used for the website.

There you have it. Months and months of work. I still don’t know how to photograph miniatures but no doubt would have done a better job if i came across tilt-shift photography earlier. Alternatively, next time i just ask the lovely james balston for advise. What are friends for?

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patterns patterns patterns

As mentioned in my previous post, here are some sketches and drawings taken from some of my small sketchbooks. My big passion is colour and patterns and i always try and come up with some form of mark making that will translate into a pattern. So, without further ado, i hope you enjoy some of these. I hope they might inspire a colour combination or just make you smile. Happy spring everyone!

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small sketchbooks

Last tuesday i rushed to the british library to catch the last day of the glorious exhibition: royal manuscripts: the genius of illumination. It showed the library’s unique collection of illuminated manuscripts amassed by kings and queens in england over 800 years. It was truly stunning.

Being at that exhibition got me thinking how our ancestors have paved the way for us to write, draw, sketch and paint. It always starts with a piece of paper and making a mark. From there, all kinds of projects are created. So today I want to introduce you to some of my ‘small’ sketchbooks collection and later on this week i will follow it up with some sketches i’ve done in them over the years.

Yes, for those who paid attention, there’s also a big sketchbook collection, but lets leave that for another time!

Paper and sketchbooks have always held a fascination for me. When i studied graphic design, back in the 80′s, i was fascinated by calligraphy and manuscripts. I think that however much i rely on technology, that love of a physical sketchbook and making a mark in it will never leave me. I go out of my way to collect interesting sketchbooks and the paper often will make a big difference to me.

I’ve picked out my favourites here below. What i love is that they get well worn from being carried around in handbags and used in different places, like on planes and in hotels. I love having home-made covers made like the ones made for me by my friend carole. Sometimes you find a great sketchbook like the red leather heart shaped one. Other times, I fall in love with a cover and then start searching for the right insert. Often, that involves cutting a sourced plain paper notebook to fit the size of the cover. In the yellow small hermes sketchbook, the refillable inside is made out of wafer thin rice paper. I first saw this in the bigger version when a japanese architect was sketching in it. Always on the hunt, i had to ask him where it was from. I love how it rolls and fastens with those push buttons and although a little cumbersome, it fascinates me. Gavin rookledge’s leather sketchbooks are totally unique. He’s a fascinating character and i urge everyone to have a special leather book commissioned. James balston, who photographed my home for heart home magazine wrote a wonderful post on gavin and his studio. Of course, these days I use my moleskine daily so my small sketchbooks are not getting enough attention.

How do you feel about sketchbooks for your handbag? Any preferences? Do you use them at all?

 

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art project: sir john soane’s museum

I am back with an art project today. I had very encouraging comments, thank you, so here is another dose.

This time we went to the eclectic and fabulous sir john soane’s museum. For those of you that haven’t been, i urge you to visit. I was going to attempt to describe it’s charm and curious location but will leave you to explore for yourselves. Actually, next time i need creative, descriptive and inventive writing i must enlist annie over at insideology who is the expert and puts me to shame. Check out her amazing series: london landmarks.

We were allowed to roam freely in the museum and choose any object or environment we desired. It’s quite dark so taking good photographs wasn’t that easy. Here is a selection of my journey:

An open brief like this often makes it harder to know where to start. I often start with elements from the photographs to explore patterns and shapes.

I then took out some magazines and created some coloured collages:

Now i was trying to put in some imagery so looked at different painters for inspiration.

I liked some aspects of what i did but felt stuck. When that happens I go back to basics and explore more patterns and shapes. This time with my sennelier oil pastels.

Unstuck, i knew i wanted to create a layered piece. I thought of theatre stage sets and used some of my imagery from previous sketches.

Now that i was getting closer to the layered image i wanted to create i had to think about colour. For this project we were set a very strict colour reference. We were sent a photocopy of an artists print. Jon Crane is a screen printer. He uses very finely cut stencils and up to 36 colours for one print.

Jon is a member of the greenwich print makers and will exhibit as part of the gpm at the affordable arts fair in battersea in october 2012. Here is Jon’s print and the colour chart I mixed up from it.

Wish that screen print was mine!! Inspired by the colours and jon’s print, i soldiered on.

Well i hope you have enjoyed some of this and for some real art, on friday i am off to the david hockney retrospective with john allen and jon crane.

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a diary system

I belong to the generation that learned to embrace the internet and technology half way through my life. Mobile phones, email, internet and texting were fine and exciting. But, i used to ask, do people really switch to an online diary? I remember a friend of mine who was obsessed with her palm organiser back in the late 90′s. I was horrified. And what about those who rushed to buy the very first digital cameras? Plleeeeaasee! You mean, you’d give up film for digital?

I think you get the picture. It took me ages to let go of the old ways. I was the girl, who in the middle 80′s rushed to the very first filofax shop in murray street, in london’s camden town. Anyone remember that shop? My love affair with their diaries set off an obsession that lasted for many years…

I learned that although i naturally have small writing, i needed a bigger size and am sorry to say that filofax a5 binders, which finally launched, just didn’t cut the mustard! No, i discovered the gorgeous and luxurious mulberry agenda. I felt sophisticated and all grown up. I could keep a diary, address book, pages to sketch on, same as with the filofax system, but the bigger size helped enormously. Oh, i didn’t much like the mulberry diary inserts so used the filofax a5 month to a view instead.

Next, i wanted to find a way of capturing diary entries together with to do lists and have it all in one place. I decided it was time to develop my own system. So i created one…  looking back, it was time consuming and bulky to store. I designed my own lined pages, printed them out, bought some card for the front and back covers and simply used a stapler to bind it all together. Now i had a new system. Yah!

Finally i realised i cannot sketch and be creative with lines so for the next few years i used plain layout. The only change was the front and back cover. It was fun to choose different coloured cards.

Still with me? So, i started to feel i will need to move flat to house my diaries if i continue this way. A re-think was the only way. I don’t know why it took me so long but one of my favourite notebooks has to be the wonderful moleskine range. I like the weight and quality of the paper. I figured out i can use one a5 notebook for every 3 months. My prayers were answered.

When the iPhone launched in 2007, everything changed for me. There now was a reason to keep an online diary on the phone. It all synched beautifully with my iMac. Well,  steve jobs was my hero. My books became a daily record of what i was working on or up to. I am really happy with my system. For now! Storing is easy. 4 books per year. Done!

To make it more personal i commissioned a lovely artist on etsy to saw me some covers for my notebooks.  For now, it’s the fourth year, i’m really happy with my system of using technology alongside my notebooks. Who knows what happens next?

I would love to hear how others out there deal with diaries and keeping a record. Is it all gone digital? Do share. For me, i now have a record of stuff that happened in the last 25 years. If anyone wants to know what i did on the 20 november 1989, just ask!

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art project: kings cross

Let me introduce a new section on my blog that I hope will be of interest to some of you. I often get asked how I keep creative and inspire myself. Well, one of the many ways is to sketch, draw, paint and design. For many years I was privileged to attend a private design course run by john allen, who I have featured here on the blog before. The course, run in various locations around the UK, was specifically set up to teach craft makers how to come up with an original piece of design. I was the only non-craft maker (thank you for letting me in) but trusted my instincts that although I am a graphic and interior designer I will learn a lot. Oh boy, did I? I am hugely indebted to john.

The premise is simple: a museum/gallery/space is chosen by john. We then visit and are at liberty to select an object, a scene, an environment. We sketch, draw and take photographs. The only important factor is that whatever we, the students, choose has to have enough information for us to be able to go away and design from for the next six months. The end result, usually, is very far removed from the starting point. That’s it.. simple, no? Well…. it took me all these years to understand and I am still a work in progress. Personally, I was never interested in a finished piece but all the various stages of development.

Without further ado, here is one such project. I wanted to set myself a challenge. I asked john whether I could do something different and use the kings cross regeneration as my subject matter. To my surprise, he agreed. I will only show some of the work produced as it is only meant to inspire (I hope) and for me to document my creative journey.

I started with making a collage on tracing paper as to explore which aspects were visually of interest to me. Materials used: watercolours, coloured pencils, black lava acrylic structural paste, golden acrylic gel mediums & molding paste, various black ink makers, glue, french enamel varnishes and magazine cut outs.

Following are some close ups of the collage.

Next I experimented with manipulating some of the photographs in photoshop.

The following pictures show a small selection of various developments into the project. Some are photographed from original artwork. Some are from photocopies I made. I hope you have enjoyed some of this.

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